| Do you have questions about Shira's reviewing methodology, such as how to interpret the chart, what the categories mean, or what her biases are? Click here for an explanation. |
What I Liked:
What I Didn't Like:
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| Overall Rating |
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| Production Quality |
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| Musicians' Skill |
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| Suitability For Practice |
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| Suitability For Performing |
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| Educational Value |
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| Packaging |
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| Style | Traditional Western Christmas Music |
| Amount Of Music | 41:13 minutes |
| List Price | $15.00 |
| Cost Per Minute Of Music | 36 cents/minute |
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Most (but not all) of the songs follow the structure of opening with a solo on a single instrument (often kanoun), then swelling into a group of instruments playing together as the song progresses. For each song, a Middle Eastern rhythm is layered underneath the main melody line. The melody-line instruments used included zurna, bass, bells, bouzouk, kanoun, oud, and ney. The percussion instruments included darbuka/tabla, zarb, riqq, davul, tar, and kaçiklar. You will probably like this collection if:
You probably won't care for this tape if:
Generally speaking, the rhythms come through clearly and easy to hear, making the music practical to use for either solo or group performance. |
| A note about the RealAudio clips that appear below: the nature of how RealAudio works is that it makes sacrifices in sound quality. It does that because it tries to make the file sizes as small as possible, thereby allowing you to download them faster. As you listen to these clips, please remember that the sound quality on the original recordings is superior to what these clips sound like. |
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| Deck The Halls | 2:38 |
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Ayyoub rhythm. Up-tempo and fun. At one point, dueling banjos effect between kanoun and oud. |
| We Three Kings | 3:30 |
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| Oh Little Town Of Bethlehem | 4:04 |
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Underlying rhythm is slow chiftetelli. Contains an improvisational segment in the middle on ney and oud against chiftetelli rhythm. |
| Oh Come All Ye Faithful | 2:20 |
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Underlying rhythm is maqsoum with a joyful sound to it. |
| Coventry Carol | 1:17 |
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Played in the style of an oud taxim. When it starts, it sounds like a typical oud solo, but then subtly slips into the recognizable melody of Conventry Carol. No percussion or other instruments playing background rhythm--preserves the taxim format throughout. |
| Oh Tannenbaum | 3:14 |
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Spirited 6/8 rhythm. Lots of fun--this has become my favorite arrangement of this song! |
| Good King Wenceslaus | 1:46 |
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Syrtos rhythm, with lots of energy. I really liked it. |
| Little Drummer Boy | 3:52 |
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Slow maqsoum rhythm. Ends with a nice drum solo, but overall I didn't find this particular arrangement very inspiring. |
| Joy To The World | 1:53 |
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Played entirely on zurna. It was okay, but definitely not my favorite cut on this album. Used ayyoub as rhythm. |
| Angels We Have Heard On High | 1:46 |
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Uses slow maqsoum rhythm. |
| Silent Night | 3:21 |
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Played as a ney solo, with an underlying chiftetelli rhythm. Very gentle sound. |
| Hark The Herald Angels Sing | 2:08 |
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| It Came Upon A Midnight Clear | 2:18 |
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| Away In A Manger | 3:46 |
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Done as a kanoun taxim without rhythmic accompaniment. |
| The First Noel | 3:20 |
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Some bouzouki improvisation in the middle. |
| I have been familiar with Brothers Of The Baladi music since about 1986, and I have many of their recordings in my music collection. I always enjoy watching them perform live, because they project great energy from the stage and they come across as very dancer-friendly. Although we have had some e-mail correspondence and they once invited my troupe to dance in a live show that they organized, I wouldn't claim to know them very well. |
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Or, contact the Brothers Of The Baladi as follows: Brothers Of The Baladi Phone: (+1) (503) 288-4684 |
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