PHOTO CREDIT: Above photo by John Rickman Photography, San Jose, California.
|
|
Sample Course Proposal
by Tedi Thomas
Course Proposal for
Introduction to Middle Eastern Dance
(Beginning Beledi / Belly Dance)
This is a prospectus that Tedi Thomas submitted in 1991, when
proposing to teach a class in Oriental dance. This was obviously a long time ago. Many of the details regarding her classes,
troupe activities, and employment have changed significantly
since then. Nonetheless, she has made this prospectus available
as an example for others who need to create one for a Middle
Eastern dance class they have proposed. In the "Justification"
section, the advertising fee was designated by the recreation
center, and they requested that the prospectus address how this
fee would be covered.
1) Introduction
Beledi is dance. It is an ancient form of Middle Eastern dance
that had its beginnings in village and tribal life. Its origin
stems from the veneration of the woman's procreative powers.
It is not just a night club entertainment, as is thought by many
in western cultures, but is a "people's" dance. All
participate in this expression / celebration of life: young and
old, male and female.
Beledi is an effective recreational activity. One does not
have to be proficient in the dance to derive enjoyment from the
physical release it provides. It can be practiced by individuals
at all levels of physical ability. The individual that is a beginner
to physical activity will find that they can work at their own
pace, and so not strain themselves beyond their abilities, as
happens in some other forms of physical exertion. In addition,
the individual who feels that they are in top condition will
find themselves challenged with physical movements not used in
western style exercise that might just put them back in the beginner
category.
The course is broken down into ten sessions, one per week.
Each class will meet for an hour and a half. The first session
is a general introduction to Middle Eastern Dancing: the music,
the exercises and their purpose, and the dance movements themselves.
The remaining nine sessions will follow a set routine of warming
up/stretching, work on movements, and cool down. Most of the
"exercise" portion of instruction is dedicated to stretching
and loosening the muscles and joints that are not generally used
in western style dance and exercise and getting the class used
to working with Middle Eastern music. There are some strengthening
exercises included in this portion of the instruction. Except
for a short set of cooling down stretches at the end, the rest
of the class period is devoted to actual dance instruction, usually
work on a choreographed dance.
2) Justification
Advertising Cost = $75.00
(1.5 hours/week X 10 weeks = 15 hrs @ $10/hr) Instructor's Fee*
= $150.00
Total Cost = $225.00
A fee of $25.00 per person for this type of course would require
a minimum of nine students to cover the cost (three for the advertising
cost and six for the instructor's fee). The course could be taught
with as few as three students, or up to fifteen. *(Instructor's
fee could be payment in kind of a year's family pass to the Rec
Center in lieu of monetary compensation.)
The Rec Center's Dance Room is ideal for teaching (i.e., high
ceilings, plenty of mirrors and good lighting). This is a boost
for the proper learning experience for the students.
Times and dates for teaching course (in order of preference):
- Thursdays, 2:30-4:00 p.m., February 7 through April 18,
1991
- Thursdays, 2:00-3:30 p.m., February 7 through April 18, 1991
- Tuesdays, 2:30-4:00 p.m., February 5 through April 16, 1991
- Tuesdays, 2:00-3:30 p.m., February 5 through April 16, 1991
|
|
3. Qualifications
As a founding member of the Little Egypt Dancers, I have trained
for eleven years: four years formally with the Arabian Nights
Dance Studio, and the remaining seven years through seminars
and continued self instruction. My nine year involvement in professional
dance includes troupe performances and performances of a solo
nature.
Some of my solo performances are as follows:
- Participating
in the SIUC Women's Club
"Around the World Champagne Flight" fashion show/luncheon
on September 14, 1982;
- Instructing two courses for the Great
Shapes Fitness Center during 1987;
- Opening the Performing
Arts Stage for Arts in Celebration on October 6, 1990.
Some of
the performances of the Little Egypt Dancers are:
- SIU Springfest
1986; "A Night of Beledi" (Dances of the Middle East)
at Columbia, MO on May 3, 1986;
- Simone's Seventh Veil Dance Company's
Dance Concert at St. Louis on October 4, 1986;
- Several for the
annual Southern Illinois Dance Extravaganza in Marion;
- The
"Carbondale-Make It Your Home!" Festival on May 7,
1988.
I am driven to pass on my knowledge of this dance form to
others, to continue the chain of this ageless expression. I do
not expect others to embrace the dance with the love I have for
it, but I do intend for the student to come away with some understanding
of this dance form, and with some lessening of the misconceptions
that have surrounded bellydancing. I also expect the student
to come away with a greater sense of their self, their personal
being, and a confidence arising from understanding more fully
their sensual self.
PHOTO CREDIT: Photo by Blaine Schanter.
I am currently employed as a Secretary IV Trans in the Department
of Anthropology on campus. I have worked out the logistics with
my supervisor, Dr. Jon Muller, for being able to teach this course
at the time(s) I've requested. I am also interested in submitting
copy and artwork for use in the advertisement. If there are any
questions, please feel free to call me at 453-xxxx (8-12 and
1-4:30). |
|
About the Author
Tedi Thomas lives in Carbondale, Illinois. She did indeed get
the teaching job that this prospectus was written for.
PHOTO CREDIT: Photo by Mary Hanson. |
|
Copyright Notice
This entire web site is copyrighted. All rights reserved.
All articles, images, forms, scripts, directories, and product reviews on this web site are the property of Shira unless a different author/artist is identified. Material from this web site may not be posted on any other web site unless permission is first obtained from Shira.
Academic papers for school purposes may use information from this site only if the paper properly identifies the original article on Shira.net using appropriate citations (footnotes, end notes, etc.) and bibliography. Consult your instructor for instructions on how to do this.
If you wish to translate articles from Shira.net into a language other than English, Shira will be happy to post your translation here on Shira.net along with a note identifying you as the translator. This could include your photo and biography if you want it to. Contact Shira for more information. You may not post translations of Shira's articles on anybody else's web site, not even your own.
If you are a teacher, performer, or student of Middle Eastern dance, you may link directly to any page on this web site from either your blog or your own web site without first obtaining Shira's permission. Click here for link buttons and other information on how to link.
|