PHOTO CREDIT: Above photo by John Rickman Photography, San Jose, California.
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Ask the Costume Goddess |
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Ask the Costume Goddess:
1940's Costume
by Dina Lydia
The Question
Dear Costume Goddess:
In an interview you mentioned that 1940's costumes are easier
to make. Could you please elaborate?
--Linda
The Costume Goddess Responds
Dear Linda,
I read an article called "Buying Costumes in Egypt and
Turkey" at the now-defunct Bellydance New York web site. She described
the differences between today's standard Egyptian ready-made
costumes and the "Retro" trend, reminiscent of 1940's
stars such as Nadia Gamal.
If you imagine the glamorous formal gowns of that era with
their form-fitting, yet softly draped dressmaking and luxurious
fabrics, that is what a "Romantic" style of belly dance
costume resembles. It's easier to make, because it doesn't rely
on stiff, heavy, all-over beaded, fringed and sequined embellishment,
which is very time-consuming and expensive to do. In "Romantic"
style, the light-to-moderate beading, fringe or sequins adorn
or outline, rather than encrust, the costume pieces. Try watching
a campy 1949 Hollywood movie, "Samson and Delilah",
for this style of ultra-glamour. Delilah (stunning Hedy LaMarr)
has some fabulous slinky skirts, draped veils and panels, one-shoulder
bodices, clusters of pearls, and jeweled snoods!
Of course, we can't all be as physically gifted as Hedy Lamarr,
but I also think this style is more flattering to most of us,
because the costume will not outshine the dancer. The audience
will be thinking "beautiful bellydancer", not "chick
wearing a tight holographic neon green and orange sequin bikini
costume with fifty pounds of beaded fringe and twelve cut-outs".
The drawing to the right shows my version of a Romantic costume. |
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--The Costume Goddess
Additional Comments from Shira
Tahia Carioca was the very first Egyptian dancer to appear in a motion picture, in 1935. Her career was at its peak in the 1940's.
This photo is a still from a scene in the movie Shatie el-Gharam (Shore of Love), which was released in 1950. Her costume gives an idea of what Egyptian dancers wore in the 1940's.
Click on the photo to see the costume in more detail. |
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Samia Gamal was another legendary Egyptian dancer of the 1940's. Her career began about 5 years after Tahia Carioca's, and the two of them were rivals for many years. King Farouk of Egypt named Samia Gamal the National Dancer of Egypt in 1949.
This photo is a still from a scene in the movie Afrita Hanem (The Genie Lady), which was released in 1949.
Click on the photo to see the costume in more detail. |
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About the Costume Goddess
Dina has been sewing for more than twenty-five
years (yes, she started as a toddler!)
She's also an artist (Maryland Institute of Art) and perfected
her sewing techniques apprenticed to various designers, freelancing
for small theaters, restyling vintage garments, and altering
wedding gowns.
Dina fell in love with belly dancing costumes upon her very
first lesson. Now the pleasure of wearing her own designs, and
seeing others wear them, offers as much pleasure as dancing. She's
become expert as well in altering those troublesome ready-made
Egyptian costumes, and modifying designs to flatter individual
figures.
She holds workshops in Seattle to teach design and construction
of cabaret costumes, and analysis of figure characteristics.
She will also give private lessons, or resize or repair a secondhand
costume. She's thus earned her Costume Goddess title. |
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The Costume Goddess Tells All Costuming Books
Dina has published six books of her own on belly dance costuming
as well as writing nearly all the costuming section for The
Belly Dance Book. For information on her series of books, The Costume Goddess Tells All, see her web site at www.costumegoddess.com.
For reviews here on Shira.net of some of her books, see:
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Costume Goddess Photos
To view a photo gallery featuring pictures of Dina, costumes
she has designed, and her friends, either click on the choices below or visit her web site:
The contents of this page are copyrighted 2009 by Dina Lydia. All rights reserved. Unauthorized duplication is forbidden.
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