PHOTO CREDIT: Above photo by John Rickman Photography, San Jose, California.

The drapes that you see in my main black and white photo are simply triangular shapes cut out of sheer fabric (silk chiffon being the most beautiful, nylon "stretch" chiffon the easiest) as illustrated, with two sides on the straight grain at right angles and the third side on the bias. The edges are narrow-hemmed as small as possible. When hemming the bias edge I stretch it a bit (almost impossible not to) so that it appears slightly wavy. The edges may be ornamented with small pailettes or sequins. When the triangle is suspended from one point of the bias edge, it will tend to form a pretty spiral. In the photo, my costume has three triangles on each arm. Two are tacked onto the upper armband at front and back of the band, and one is suspended between the upper armband and the wristband, like a small "wing" with the arm extended.

In this color photo, which was taken later, I'm wearing long fitted lace gauntlets with the same bra, so the triangles have been moved to the bra straps, where they drape over the shoulder at front and back.

My triangles measure 20" by 12" on the right angle, but I have short arms. I suggest you cut the triangle shapes out of a cheap fabric first, to determine the proper size for you.

Click on the photo to the right to see it in more detail.

• Ask The Costume Goddess: Falling Gauntlets. What to do about gauntlets that fall down while dancing.
• Ask The Costume Goddess: Multi-Point Skirt. Describes how to make a multi-point skirt with matching sleeves.
• Ask The Costume Goddess: Adjusting Tight Sleeves. How to adjust fitted sleeves for greater comfort and ease of movement.

• Ask The Costume Goddess: Jiggly Arms. Additional sleeve ideas.
• Ask The Costume Goddess: Making Gauntlets. Describes how to make a pair of gauntlets for dancing.
• The Costume Goddess Tells All: Arm Costume for Bellydancers. Review of book by Dina Lydia.

Dina has been sewing for more than twenty-five years (yes, she started as a toddler!)

She's also an artist (Maryland Institute of Art) and perfected her sewing techniques apprenticed to various designers, freelancing for small theaters, restyling vintage garments, and altering wedding gowns.

Dina fell in love with belly dancing costumes upon her very first lesson. Now the pleasure of wearing her own designs, and seeing others wear them, offers as much pleasure as dancing. She's become expert as well in altering those troublesome ready-made Egyptian costumes, and modifying designs to flatter individual figures.

She holds workshops in Seattle to teach design and construction of cabaret costumes, and analysis of figure characteristics. She will also give private lessons, or resize or repair a secondhand costume. She's thus earned her Costume Goddess title.

The Costume Goddess Tells All Costuming Books

Dina has published six books of her own on belly dance costuming as well as writing nearly all the costuming section for The Belly Dance Book. For information on her series of books, The Costume Goddess Tells All, see her web site at www.costumegoddess.com. For reviews here on Shira.net of some of her books, see:

• Volume 1: Flattering Costume for Bellydancers. Advice on designing a belly dance costume that will look flattering for your figure type.
• Volume 2: Easy Costume for Bellydancers. Explains how to create easy-to-make costume items if you have very little sewing experience.
• Volume 3: Cabaret Belt and Bra for Bellydancers. Detailed instructions for making your own bra/belt set. Emphasis on the beaded/sequined look, but some coin information too.
• Volume 4: Arm Costume for Bellydancers. Creative ideas for sleeves, armbands, gauntlets, and drapes.
• Volume 5: Tribal Toppings for Bellydancers. Cholis, vests, and other tops suitable for U.S. Tribal costuming.
• Volume 6: Thrifty Chic for Bellydancers. Transforming thrift shop bargains into belly dance costume pieces.
• Volume 7: Headpieces for Bellydancers. Many simple, inexpensive ideas for costuming from the neck up.