PHOTO CREDIT: Above photo by John Rickman Photography, San Jose, California.
|
|
Dear Shira |
|
|
Dear Shira:
Good vs Great?
The Question
Dear Shira:
What does it mean to you "to be a good dancer" and "to be a great dancer"?
— Thoughtful
PHOTO CREDIT: Photo by Pixie Vision Productions, Glendale, California. |
|
Shira Responds
Dear Thoughtful:
I assume you were referring to belly dancing, especially a solo artist. I might give a different answer for some other dance forms that I enjoy such as ballet.
Here's how I see it...
Good dancers have polished technique, stay on beat of the music, and maintain pleasant facial expressions while dancing. If they use props (which I feel are optional), they do so skillfully. They choose music and costume that are appropriate to the situation. They might do some flashy "party tricks" such as deep backbends or hair tosses, but those are also optional — a dancer can be good without them.
Great dancers can do everything I said above in my description of a good dancer. In addition, they display authentic emotion, connect with the audience, make the audience feel their love for the dance, and let the music carry them away. In the moment, while dancing, they don't over-analyze, don't worry about perfection, and don't think about what steps to do next. They do not give you the feeling they're mentally reciting, "1, 2, hip drop, 3, 4, toss the hair."
After a good dancer performs, I'll probably remember something about the music used, maybe a couple of signature steps or athletic "party tricks" (such as a Turkish drop), maybe something about the costume if it stood out in some way, etc.
After a great dancer performs, I really don't remember much except that the dancer pulled me in, and allowed me to catch a glimpse of her or his soul.
— Shira
PHOTO CREDIT: Photo by Pixie Vision Productions, Glendale, California. |
|
Related Articles
Other articles on this web
site related to performing skills include:
About this Column
Shira has received many questions from readers over the years related to various aspects of the dance. In this column, she picks some of the more interesting ones to answer publicly. Details contained in the questions are sometimes removed or disguised to protect the anonymity of the person who asked the question.
Copyright Notice
This entire web site is copyrighted. All rights reserved.
All articles, images, forms, scripts, directories, and product reviews on this web site are the property of Shira unless a different author/artist is identified. Material from this web site may not be posted on any other web site unless permission is first obtained from Shira.
Academic papers for school purposes may use information from this site only if the paper properly identifies the original article on Shira.net using appropriate citations (footnotes, end notes, etc.) and bibliography. Consult your instructor for instructions on how to do this.
If you wish to translate articles from Shira.net into a language other than English, Shira will be happy to post your translation here on Shira.net along with a note identifying you as the translator. This could include your photo and biography if you want it to. Contact Shira for more information. You may not post translations of Shira's articles on anybody else's web site, not even your own.
If you are a teacher, performer, or student of Middle Eastern dance, you may link directly to any page on this web site from either your blog or your own web site without first obtaining Shira's permission. Click here for link buttons and other information on how to link.
|