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Recommended Level | Intermediate |
Formats Available | NTSC |
Overall Rating | |
Production Quality | |
Content Value | |
Packaging | |
Total Video Length | 72:19 minutes |
Performance Time | 4:36 minutes (6%) |
Teaching Time | 21:32 minutes (30%) |
Workout Time | 46:01 minutes (64%) |
Amount Of "Other" | 0:10 minutes (0%) |
Choreography | Yes |
Cultural Information | Yes |
Music Education | No |
Health Issues | Yes |
Number Of Models | 1 |
List Price | $19.98 |
Cost Per Minute Of Workout, Teaching, & Performing | 28 cents |
Cost For "Other" | 5 cents |
Tanna leads three different exercise workouts based on belly dance floor work moves, ranging from 13 to 17 minutes in length. It is in the Belly Dance for Body Shaping series of workout videos produced by Neon, so follows a structure similar to the others. This video is aimed at the dance level of an intermediate who already knows how to do basic standing belly dance moves with confidence such as circles, figure 8's, undulations, etc. It's not necessary to have prior experience with floor work before using this video, but it helps. The video opens with "About this Program." First is a 3 ½ minute section in which personal trainer Andy Troy offers a valuable introduction to the muscle groups used in floor work, including the upper back, upper arms, abdomen, and thighs. As each muscle is described, a diagram on screen shows an outline of a body and indicates where that muscle is located. Andy's explanation describes what types of moves each muscle is used for as the screen shows clips of Tanna showing what they look like in the dance. Tanna then offers about 4 minutes of her own introductory comments. She describes what floor work is, talks a bit about its history, and offers some tips for doing it safely. The second choice on the DVD menu is the 14-minute Tutorial. Tanna offers a review of standing dance moves such as snake arms, various circles and figure 8's, undulations, etc. She then shows how these moves look when done in the floor work positions of kneeling, side bridge, and back prop. This is intended primarily to introduce the names that Tanna uses for the various moves and positions, as well as refresh the viewer on moves that have been learned elsewhere. Someone without prior floor work background who has previously mastered basic standing belly dance moves could probably keep up, and could probably use the workouts on this video. However, this tutorial is not really designed for the needs of a dance student who wants to learn floor work technique - it omits some skills such as descent to the floor and rising at the end that aren't needed for the workouts but would be needed for dance study. Next the video offers three choices for exercise routines, simply named Session 1, Session 2, and Session 3. All three workouts are similar in length, and structured the same way, but each uses subtly different moves and combinations. They progress in difficulty, with Session 1 being the easiest for newcomers to floor work and Session 3 being the most challenging. This choice between multiple workout choices offers enough variety to avoid outgrowing it too quickly. The components of each workout include:
In each workout, even the warm-up and the cool down contain some belly dance moves as well as more generic exercises such as pliés. For the main body of the workout, the focus is on the muscles used in doing floor work - the arms and upper back which support the body in bridge, layout, and prop positions, the abdominal muscles which help control backbends, circles, and figure 8's, and the thigh muscles which power kneeling moves and backbends. The workouts focus on strength and flexibility rather than cardio. The innovative on-screen presentation is designed to make it very easy to determine what to do next. In the workout sections, Tanna introduces each move or combination and repeats it several times before moving on to the next. As the move is introduced, 3-dimensional graphics appear on the left of the screen showing which body part (rib cage or hips) is being used and what direction the motion (figure 8, circle, etc.) goes. In the center of the screen, Tanna demonstrates the move. In the lower right corner, a progress bar indicates how many repetitions will be done for this move and shows which one is currently being done. This eliminates the need for much of the verbal cueing that is typical of exercise videos. After all the combinations have been introduced for a given workout, a 2-minute "dance" section puts them all together into a brief choreography. Tanna has structured this with the intent that someone who memorizes one of these short choreographed pieces could then incorporate the combinations or the entire sequence into her own dance routine. To make it easier to do this, each workout has a menu choice and chapter break that skips directly to the dance section. Each workout ends with a cool down that matches the tone of the routine just finished. The attractive set for the tutorial and workout sessions is a dance studio with a mirror, decorated with flowers and candles. The mirror isn't really used to show the moves from multiple angles - its function is more to lend ambience. Tanna does her routine on a small rug on the floor. Tanna leads the workouts wearing assorted exercise pants, midriff-baring blouses, and hip scarves. At times, I find the floppy sleeves on her blouse a bit distracting, but generally her clothing makes it easy to see the moves being demonstrated and the colors contrast well with the background. She varies her garb between the tutorial and the workouts, which helps maintain visual interest. I'm a bit concerned that Tanna includes a couple of potentially harmful moves without warning of their dangers or offering comments on how to minimize the the risks they pose. One is the kneeling backbend, in which she recommends sitting on the floor between the feet before going back. This can injure the knees. The other is head circles, which can injure the neck if the full weight of the head grinds across the vertebrae in the back of the circle. Following the workouts, Tanna offers a 4 ½ minute performance in full costume. Her "stage" appears to be an exotic canopy bed, festooned with sheer curtains and decorated with candles and a water pipe. Dancers who are uncomfortable with the idea of belly dancing as sexy may find this performance to be a bit too boudoir-like for their comfort, but it does provide an attractive setting. In her performance, Tanna uses moves that appear in all three of the workout segments, showing how they can transfer from exercise routine to sensual dance. She executes the moves with a level of confidence and fluidity which demonstrate that she is indeed qualified to be the instructor on this video. Her stage persona appears to be that of someone dancing for her own pleasure, but occasionally casting a flirtatious "I know you're watching" glance. My one frustration with the performance segment is that the editing jumps from one camera angle to another too rapidly. Each angle lingers only about 3 seconds before being replaced by the next. This makes it difficult for someone who has used the fitness routines to recognize the moves that were used in them - just as the eye becomes accustomed to one angle and starts to analyze the move, the scene changes. It would have been better in most cases to linger just a bit longer, perhaps 10 seconds, before changing to the next angle. The music features compositions by Jehan and Geoff Groberg, which offer a New Age flavor. Some people might prefer Middle Eastern music to go with the Middle Eastern dance moves, but I find it pleasant. The production quality throughout the video is generally excellent. The lighting makes it very easy to see what Tanna is doing at all times, the set is attractive and uncluttered, and it's always easy to hear the instructions over the background music. I would have preferred to have additional chapter breaks on the DVD at the end of each warm-up and just before each cool down, to make it easy for people with programmable DVD players to "roll their own" workouts of varying lengths by mixing and matching, but that's a minor point. On the tutorial and workout sections, the camera and editing generally show the right body parts to illustrate the moves. The use of on-screen graphics to help describe the moves and assist with the cueing is superb. My one complaint about production quality, as noted above, is that the editing is too jumpy on the performance segment, with too-frequent angle changes.
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The Bellydance for Body Sculpting series produced by World Dance New York features instruction by not only Tanna but also other instructors. Here are reviews for other videos in the series:
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If you would like a mat-based workout routine to develop strength in your arms, upper back, abdominal area, and quadriceps, this video is worth considering. It will be quite challenging for people who are currently weak in these areas, but it will help build those muscles. Although it's not the video I would recommend for someone who wants a full introduction to floor work technique, it can be useful as a practice companion to review moves learned in class or from another video. For dancers who already know how to do floor work, these workouts can be used as drills to develop added strength and fluidity in the required muscle groups. |
I have chatted with Neon through e-mail, but I don't know her very well. She sent me a complimentary copy of this video to review. I have never had any contact with Tanna. |
To purchase this video from Amazon:
To my knowledge, this video has never been released on VHS tape. (Amazon's claim that the DVD version is Region 1 is wrong. Amazon doesn't offer a way for sellers to indicate that their DVD's support multiple regions, so they're forced to pick just one. I have personally tested this DVD and found it to enable all regions.) Or, contact Neon as follows: Email: sales@worlddancenewyork.com |
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