PHOTO CREDIT: Above photo by John Rickman Photography, San Jose, California.
|
|
From Lennie Clark's Web Site:
عاللي جرى
Alli Garra
(What Happened to Me)
This page contains a translation into English of the lyrics to the song "Alli Garra". It was originally recorded in the 1950's or 1960's by Oulaya al-Tunisiya, whose name is sometimes spelled as Alia la Tunisia. This translation is based on the version recorded by the Syrian artist Asalah Nasri and Saber el Reba. Others who have recorded it include Wael Jassar and Adam.
- Alli Gara (What Happened to Me), in the 1970's
- Song Title in Arabic: عاللي جرى
- Lyricist: Mohsen Al-Khayyat
- Composer: Helmy Bakr
- Original Artist: Oulaya al-Tunisiya
Another spelling for the song title is "3ali Garra".
About Oulaya al-Tunisiya
Oulaya al-Tunisiya (علية التونسية) started her artistic career at age 16. In 1968, Oum Kalthoum visited Tunisia to perform a concert, and while she was there Oulaya had an opportunity to sing in front of her. Oum Kalthoum was impressed with her voice, and suggested she come to Egypt. She enjoyed a successful career in Egypt and lived there 12 years before returning to Tunisia.
In 1981, Oulaya married Hilmi Bakr, the Egyptian composer of this song who had nine wives over the course of his lifetime. He composed a number of the songs Oulaya performed. Unfortunately, "Alli Garra" didn't become famous until after her death when Asalah Nasri recorded it.
Song lyrics are provided for educational purposes. If you like the song, please purchase either the album or a download from an authorized source. |
|
Lyrics
Notes by Lennie Clark:
First there is an instrumental section baladi rhythm. Then it goes into wahda kebeer when the singing starts. I have put the syllables in bold where the beginning of each measure of the rhythm hits. In additon, if the first beat of a measure falls outside the lyrics, I have added the word beat in bold type.
Baladi
/ D * D * T A D * D * T A D * T * / D * D * T A D * D * T A D * T * /
For clarity I have written each measure with sixteen counts, the asterisk is a 1/16th rest. (The slash is used to connotate dividing line between measures, two measures being depicted.) Actually the rhythm has much more of a 4/4 feel.
Wahda Kebeer
("One is big" meaning the first beat of the measure is the only heavy beat.)
/ D * T A T A T * T A T A T * T * / D * T A T A T * T A T A T * T * /
Again, for clarity I have written each measure with sixteen counts, each asterisk is a 1/16th rest. (the Slash is used to connotate dividing line between measures, two measures being depicted.) actually the rhythm has much more of a 4/4 feel.
The first line starts after the beat.
In the transliteration below, a # is used to signify where a beat in the music occurs.
Arabic Lyrics |
English Translation |
# 3alii garrah min marrasiilak 3alii garrah (another measure, #) |
What happened to me, through a letter (or message) what happened to me |
Bass lamma tiigii wa ana aHkiilak 3ali garrah (another measure #) |
When you come to me I tell you what happened to me. |
# 3alii garrah min marrasiilak 3alii garrah (another measure, #) |
What happened to me, through a letter (or message) what happened to me |
Bass lamma tiigii wa ana aHkiilak 3ali garrah (another measure #) |
When you come to me I tell you what happened to me. |
|
|
Baladi Rhythm Section |
Baladi Rhythm Section |
Wimsa de mu-u-w3aii fi mandiilak 3alii gara # - - - # |
I wipe my tears in your handkerchief (I tell you) what happened to me. |
bass lamma tiigii w ana aH-kiilak 3alii gara # - - - # |
When you come to me I tell you what happened to me |
Wimsa de mu-u-w3aii fi mandiilak 3alii gara # - - - # |
I wipe my tears in your handkerchief (I tell you) what happened to me. |
bass lamma tiigii w ana aH-kiilak 3alii gara # - - - # |
When you come to me I tell you what happened to me |
Wimsa de mu-u-w3aii fi mandiilak 3alii gara # - - - # |
I wipe my tears in your handkerchief (I tell you) what happened to me. |
bass lamma tiigii w ana aH-kiilak 3alii gara # - - - # |
When you come to me I tell you what happened to me |
|
|
Wahda Kebeer Rhythm Section |
Wahda Kebeer Rhythm Section |
3a-----------lii-----------ga - - - - - ------ Aa------------------------aaaa |
What happened to me |
|
|
Instrumental Section in Baladi Rhythm |
Instrumental Section in Baladi Rhythm |
|
|
Wahda Kebeer Rhythm Section |
Wahda Kebeer Rhythm Section |
(This section can be repeated anywhere from 2 to 4 times.) |
(This section can be repeated anywhere from 2 to 4 times.) |
# mitgarra biiiiin eH-namitgarrabiiiiin a - - - -ah |
We are far away from each other. |
Garrah saneeeen waH-nah, garrah saneeeee eeeeeen |
Years of hurt, we are together |
|
|
La hadi 'aa--aa--aal ana khabbar yafar-Haa-naa # |
No one tells me good news |
Wa ha hadii gaaaaaaab minnaa kalima yaraH-na, ya raH nah # |
And no one gives us even a word of comfort |
|
|
Baladi Rhythm Section |
Baladi Rhythm Section |
bass lamma tiigii w ana aH-kiilak 3alii gara # - - - # |
When you come to me I tell you what happened to me |
Wimsa de mu-u-w3aii fi mandiilak 3alii gara # - - - # |
I wipe my tears in your handkerchief (I tell you) what happened to me. |
|
|
Wahda Kebeer Rhythm Section |
Wahda Kebeer Rhythm Section |
alli gaaaaara, aa-aaa aa-aa-aa-aa-aa-ah! # |
What happened to me |
|
|
(This section can be repeated anywhere from 2 to 4 times.) |
(This section can be repeated anywhere from 2 to 4 times.) |
# Ya leilii aaaaa- - - aaaaaaaaaah |
O night, aaaaa - - - aaaaaaaaaah |
# Ya gar-Hii aaaaa- - -aaaaaaaaaah |
Oh my pain [wound], aaaaaaaaaah |
|
|
Il-hob-bii dawibnah # |
Love melted us together, absorbed us |
tubnah tawih-nah # |
We repented [as if to God] and separated |
Il-hob-bii dawibnah # |
Love melted us together, absorbed us |
tubnah tawih-nah # |
We repented [as if to God] and separated |
|
|
Ya leili ahhhhhh |
O my night, ahhhhhh |
|
|
Baladi Rhythm Section |
Baladi Rhythm Section |
wa tahit al marrasiil- - - - |
and the letters / messages are lost |
|
Between day and night |
ma fi-it-tersh ghiir damu3aii |
Even in a crowd there is nothing but tears |
marrsuu ma fi mandiil |
The tears in the handkerchief are a sign |
The rest of the song repeats some of the sections given above.
Where to Get Recordings of this Song
|
|
Artist: Asala and Saber
CD Title: Alli Garra |
Translations of
Asala Nasri's Songs on This Site
Other translations of songs performed by Asala Nasri on this web site include:
Acknowledgements
About the Source
This article
originally appeared on Lennie Clark's web site, "Arabic Song Translations." Lennie created this web site in 2002 as a response to discussion on the Internet regarding incidents of dancers who performed inappropriate sensual dances to religious music. Lennie's web site resided on a free web hosting service known as Geocities.
When the planned October 2009 closure of the Geocities web hosting service was announced, Lennie and Shira agreed to move the contents of Lennie's site to Shira.net. To explore all the articles and song translations that once appeared on Lennie's Geocities site, visit Lennie's portal page here on Shira.net. |
|
Copyright Notice
This entire web site is copyrighted. All rights reserved.
All articles, images, forms, scripts, directories, and product reviews on this web site are the property of Shira unless a different author/artist is identified. Material from this web site may not be posted on any other web site unless permission is first obtained from Shira.
Academic papers for school purposes may use information from this site only if the paper properly identifies the original article on Shira.net using appropriate citations (footnotes, end notes, etc.) and bibliography. Consult your instructor for instructions on how to do this.
If you wish to translate articles from Shira.net into a language other than English, Shira will be happy to post your translation here on Shira.net along with a note identifying you as the translator. This could include your photo and biography if you want it to. Contact Shira for more information. You may not post translations of Shira's articles on anybody else's web site, not even your own.
If you are a teacher, performer, or student of Middle Eastern dance, you may link directly to any page on this web site from either your blog or your own web site without first obtaining Shira's permission. Click here for link buttons and other information on how to link.
|